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Calson and baskerville typeface
Calson and baskerville typeface











calson and baskerville typeface

It’s a thing of beauty to hold, dense, weighty and satisfying.) A case of letters complete enough to print a pamphlet or broadside would likely take many fonts. (I have a font of Futura made in the 1960s, wrapped in paper and cardboard. Once ordered, they probably came on a wood base wrapped in stiff paper. Ligatures, or certain letter combinations cast as one piece, were also included because with metal letters the tang on an f when next to another f or an i would overhang and the metal types would not sit next to each other. One font consisted of upper and lowercase letters (with multiples of the more common letters), numbers, and punctuation. You could buy one “fount”, or font, of type from him which at a particular size (say, 14 point). Just an anecdote to his friend, which opened with the line “Let me give you a pleasant Instance of the Prejudice some have entertained against your Work.”īaskerville was a printer, typographer and typefounder, which means he designed, cast and sold type. Not terribly swift information distribution by today’s standards.īut then the letter wasn’t all that important.

CALSON AND BASKERVILLE TYPEFACE PLUS

So a half-hour plus at least two days travel to the power of one copy.

calson and baskerville typeface

He placed it in an envelope, sealed it with wax and sent it by British Post from London, where Franklin kept a house on Craven Street and was living at the time, to Baskerville who lived in Birmingham. He probably used a quill pen at a writing desk, writing over the course of a half-hour or so. He wrote a funny letter to his friend John Baskerville in 1760. We can use Benjamin Franklin as an example. If there was a formula for how fast information spreads it might read as: the speed of travel plus the speed of reproduction to the power of the number of copies.













Calson and baskerville typeface